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Radiant Shards:
Hoda’s North End Poems

By: Ruth Panofsky

This compassionate and humanizing work imagines the interior life of Hoda, the protagonist of Adele Wiseman’s 1974 novel Crackpot, an obese Jewish sex worker who services the boys and men of North End Winnipeg during the first half of the twentieth century. In Radiant Shards, Hoda reflects personally and knowingly on the experiences of her complicated life. Against the structural arc of novelistic events that shape her worldview, she reveals the depths of her suffering and the triumph of her will from a poetically imagined position of maturity and self-awareness. This creative project also incorporates historical photographs housed in the Archives of Manitoba and the Jewish Heritage Centre of Western Canada. These images ground the lyric presentation of Hoda and deepen the resonant voice of a character that originally was modelled on an actual North End resident.

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PUBLISHED:

2020

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PUBLISHER:

Inanna Publications

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AWARDS:

Hadassah-Brandeis Institute Research Award

Reviews

“Lewd, you say?” The questioning voice of Hoda from Adele Wiseman’s Crackpot is at the centre of Radiant Shards: Hoda’s North End Poems. Kosher butchers, the Prince of Wales, and North End daily life resonate anew in Panofsky’s provocative re-imagining of Wiseman’s Winnipeg.

 

Norman Ravvin, author of The Girl Who Stole Everything

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Poets' 5 à 7

9 April 2021

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Antonio D’Alfonso and Ruth Panofsky

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Jewish Heritage Centre of Western Canada 

9 February 2021

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A Conversation with Poet Ruth Panofsky: Reimagining Adele Wiseman

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Reading Jewish Fiction

January 2021

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Uniting Lyric with Image:

An Interview with Ruth Panofsky 

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Inanna Publications 

4 June 2020

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Ruth Panofsky reads from Radiant Shards:

Hoda's North End Poems 

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CBC

26 May 2020

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12 Canadian Books to Read for Jewish Heritage Month 

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Goodreads

10 May 2020

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Interview with an Author

Featuring Ruth Panofsky

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National Arts Centre/Facebook Canada 

28 April 2020

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#CanadaPerforms

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CBC

2 March 2020 

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29 Works of Canadian Poetry to Watch for in Spring 2020

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In this poem, two voices frame, overlap, embellish, and question one another.

Laike’s voice and Nahum’s voice are heard in counterpoint across a poem that probes the hold of culture, tradition, and gender expectations...

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Poems of everyday life and of family connections, past and present...                                                                                                                                                                                                                                                                                                                                    

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